New Zealand Symphony Orchestra, Georges Bizet's 'III. Allegro Vivace' came out on November 4, 1994. III. Allegro Vivace is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The song is number 3 out of 12 in Bizet: Symphony In C Major/Jeux D'enfants/Scènes Bohémiennes by New Zealand Symphony Orchestra. III. Allegro Vivace is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of III. Allegro Vivace by New Zealand Symphony Orchestra, Georges Bizet is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Bagatelles for clarinet and piano, Op.23: 4. Forlana - Allegretto grazioso | Gerald Finzi, Emma Johnson, Malcolm Martineau | F♯ Major | 0 | 2B | 185 BPM | ||
Fantasia on a Theme by Thomas Tallis (excerpt) (Master and Commander: The Far Side of the World) | Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 80 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": II. Andante con moto | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 70 BPM | ||
Entry of the Dew Fairies | Claire Cowan, New Zealand Symphony Orchestra, Royal New Zealand Ballet | C Major | 2 | 8B | 75 BPM | ||
Minuet, Op. 21 | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 126 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Symphonic Metamorphosis after Themes by Carl Maria von Weber: Marsch | Paul Hindemith, New Zealand Symphony Orchestra, Franz-Paul Decker | E♭ Major | 1 | 5B | 165 BPM |
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