Kapitel 56.2 - Wie Google tickt - How Google Works
Eric Schmidt, Jonathan Rosenberg
Wie Google tickt - How Google Works
3:18 January 8, 2015
BPM
107
Key
E♭ Minor
Camelot
2A

Embed

Share Link

Kapitel 56.2 - Wie Google tickt - How Google Works - Eric Schmidt, Jonathan Rosenberg Information

Acousticness
47%
Danceability
71%
Energy
23%
Instrumentalness
0%
Liveness
20%
Loudness
66%
Speechiness
94%
Valence
58%
Popularity
Loudness
-20.271 dB

Summary

Eric Schmidt, Jonathan Rosenberg made "Kapitel 56.2 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 56.2 - Wie Google tickt - How Google Works is about 3 minutes long, at 3:18. Based on our data, "Kapitel 56.2 - Wie Google tickt - How Google Works" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #81 out of 137 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Kapitel 56.2 - Wie Google tickt - How Google Works is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

Kapitel 56.2 - Wie Google tickt - How Google Works BPM

Since Kapitel 56.2 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 56.2 - Wie Google tickt - How Google Works being at 107 BPM, the half-time would be 54 BPM with a double-time of 214 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.

Kapitel 56.2 - Wie Google tickt - How Google Works Key

E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Miserere, ZWV 57: V. Sicut erat et Miserere III by Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises IllánMiserere, ZWV 57: V. Sicut erat et Miserere IIIJan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises IllánF♯ Minor311A77 BPM
Già il sole dal Gange by Alessandro Scarlatti, Holly Bewlay, Sarah RheeGià il sole dal GangeAlessandro Scarlatti, Holly Bewlay, Sarah RheeD Minor17A83 BPM
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk by Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen SzenkarHoffmanns Erzählungen: Prologue: Aus dem Becher kommt der TrunkJacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen SzenkarC Major38B75 BPM
Messa da Requiem for Soloists, Chorus and Orchestra: I. Requiem & Kyrie by Giuseppe Verdi, Leonard Bernstein, London Symphony OrchestraMessa da Requiem for Soloists, Chorus and Orchestra: I. Requiem & KyrieGiuseppe Verdi, Leonard Bernstein, London Symphony OrchestraA Major111B83 BPM
Kapitel 18.2 & Kapitel 19.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian JungwirthKapitel 18.2 & Kapitel 19.1 - Wie Google tickt - How Google WorksEric Schmidt, Jonathan Rosenberg, Christian JungwirthB Major31B67 BPM
Elijah, Op.70, MWV A25 / Part 1: Elijah, Op.70, MWV A25 / Part 1: "Lord, bow Thine ear to our pray'r!"Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Yvonne Kenny, Anne Dawson, Academy of St. Martin in the Fields, Sir Neville MarrinerA Minor08A111 BPM
Petite messe solennelle: O salutaris Hostia by Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Julia LezhnevaPetite messe solennelle: O salutaris HostiaGioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Julia LezhnevaG Major19B91 BPM
Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: Then the handsome Pau-Puk-Keewis by Samuel Coleridge-Taylor, Philharmonia Orchestra, Royal Choral Society, Richard Lewis, Sir Malcolm SargentSamuel Coleridge-Taylor: Hiawatha’s Wedding Feast: Then the handsome Pau-Puk-KeewisSamuel Coleridge-Taylor, Philharmonia Orchestra, Royal Choral Society, Richard Lewis, Sir Malcolm SargentC Minor25A65 BPM
Sept chansons - La Blanche Neige by Laurence Equilbey, Accentus, Francis PoulencSept chansons - La Blanche NeigeLaurence Equilbey, Accentus, Francis PoulencD Minor17A78 BPM
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable by Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh5 mélodies populaires grecques: No. 3, Quel galant m'est comparableRadio Bratislava Symphony Orchestra, Paulina Stark, Dennis BurkhG Major19B0 BPM
ISRC
DEXQ71153354
Label
L-M Records/RCA Records

Section: 0.7655420303344727

End: 0.7727985382080078