Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 18.2 & Kapitel 19.1 - Wie Google tickt - How Google Works" available on January 8, 2015. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #40 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 18.2 & Kapitel 19.1 - Wie Google tickt - How Google Works is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Kapitel 18.2 & Kapitel 19.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Kapitel 18.2 & Kapitel 19.1 - Wie Google tickt - How Google Works being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in D Major, Op. 86 / Kyrie: Ia. Kyrie I | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D Major | 2 | 10B | 79 BPM | ||
Kapitel 1.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | B Minor | 3 | 10A | 109 BPM | ||
Requiem, Op. 48: IV. Pie Jesu | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra, Judith Blegen | G Major | 2 | 9B | 121 BPM | ||
Singet dem Herrn ein neues Lied, BWV 190: I. Singet dem Herrn ein neues Lied | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 3 | 3B | 113 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Stabat Mater, FP 148: VII. Eja mater | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | E♭ Major | 3 | 5B | 182 BPM | ||
Haydn: Mass in B-Flat Major, Hob. XXII:12 "Theresa Mass": Gloria | Joseph Haydn, Carol Vaness, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Sir Neville Marriner, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
Requiem: Mors stupebit | Xavier Benguerel, Cor de Cambra del Palau de la Musica Catalana, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Dalmau González, Lluís Sintes, Maribel Ortega, Marisa Martins, Matteo Suk, Miquel Ortega | D Major | 1 | 10B | 80 BPM | ||
Förklädd gud, Op. 24: Vem spelar på en pipa en låt av gryningsluft … (Chorus) | Mark Levengood, Charlotta Larsson, Gunnar Birgersson, Enskede Kammarkor, Swedish Radio Symphony Orchestra, Eva Karpe | G Major | 1 | 9B | 135 BPM | ||
Requiem, Op. 48: V. Agnus Dei | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra | F Major | 0 | 7B | 64 BPM |
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