"Et Ex Illa Hora Accepit Eam Discipulus In Sia - Edit" by Arvo Pärt, Tonus Peregrinus, Anthony Pitts was released on January 1, 2012. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Serenity - The Beauty Of Arvo Pärt". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Et Ex Illa Hora Accepit Eam Discipulus In Sia - Edit is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Et Ex Illa Hora Accepit Eam Discipulus In Sia - Edit by Arvo Pärt, Tonus Peregrinus, Anthony Pitts having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adès: Les baricades mistérieuses | Thomas Adès, Composers Ensemble | B♭ Major | 0 | 6B | 132 BPM | ||
A Sparrow Alighted upon our Shoulder | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | F♯ Minor | 1 | 11A | 139 BPM | ||
Seduction | Balanescu Quartet | A Minor | 1 | 8A | 87 BPM | ||
Soirées musicales, Op. 6: II. Notturno. Andante con moto (Version for Harp) | Clara Schumann, Magdalena Hoffmann | D Minor | 0 | 7A | 76 BPM | ||
Faust / Episode 2: Nachspiel | Karsten Gundermann, Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | C Major | 0 | 8B | 81 BPM | ||
Orbit | Matt Haimovitz | C Minor | 1 | 5A | 137 BPM | ||
The Trees | Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | G Minor | 3 | 6A | 115 BPM | ||
Elegies BV 249: VII. Berceuse | Ferruccio Busoni, Igor Levit | C Major | 0 | 8B | 67 BPM | ||
Saint-Saëns / Transcr. Vidal: Le carnaval des animaux: XIII. Le cygne | Camille Saint-Saëns, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de Paris | G Major | 0 | 9B | 82 BPM | ||
Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM |
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