- BPM
- 72
- Key
- E♭ Major
- Camelot
- 5B
November 25: THE LAST DAY - Philip Glass, Kronos Quartet, Michael Riesman Information
- Acousticness
- 32%
- Danceability
- 45%
- Energy
- 36%
- Instrumentalness
- 92%
- Liveness
- 10%
- Loudness
- 83%
- Speechiness
- 3%
- Valence
- 8%
- Popularity
- 23%
- Loudness
- -10.426 dB
Summary
"November 25: THE LAST DAY" by Philip Glass, Kronos Quartet, Michael Riesman was released on 1985. With November 25: THE LAST DAY being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Philip Glass, Kronos Quartet's "Mishima" album is number 12 out of 14. November 25: THE LAST DAY is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
November 25: THE LAST DAY BPM
We consider the tempo marking of November 25: THE LAST DAY by Philip Glass, Kronos Quartet, Michael Riesman to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
November 25: THE LAST DAY Key
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sonata V | John Cage | F♯ Major | 6 | 2B | 111 BPM | |
 | Die Walkure: Act I Scene 1: Prelude | Richard Wagner, Frank van Aken, Ain Anger, Terje Stensvold, Eva-Maria Westbroek, Susan Bullock, Martina Dike, Anja Fidelia Ulrich, Mona Somm, Eve-Maud Hubeaux, Bernadett Fodor, Christiane Kohl, Lisa Wedekind, Tanja Ariane Baumgartner, Monika Bohinec, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | C Major | 5 | 8B | 172 BPM | |
 | Cantus In Memory Of Benjamin Britten | Arvo Pärt, Staatsorchester Stuttgart, Dennis Russell Davies | A Minor | 1 | 8A | 67 BPM | |
 | Pärt: Cantus in Memoriam Benjamin Britten | Arvo Pärt, Bournemouth Sinfonietta, Richard Studt | A Minor | 1 | 8A | 82 BPM | |
 | Child's Footprint | Ernst Reijseger, Nederlands Kammerkoor | B Minor | 1 | 10A | 83 BPM | |
 | November 25: THE LAST DAY | Philip Glass, Kronos Quartet, Michael Riesman | E♭ Major | 4 | 5B | 72 BPM | |
 | Etude No.18 | Philip Glass, Feico Deutekom | A Minor | 1 | 8A | 60 BPM | |
 | Sonate for Violin and Piano in a Major for Cello | César Frank | F♯ Minor | 0 | 11A | 85 BPM | |
 | Piano Concerto, Op. 67 "Memo Flora": III. Bloom. Allegro | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, Kyoko Tabe | E♭ Major | 2 | 5B | 85 BPM | |
 | Sex Based Decision Making | Jon Brion | D Minor | 0 | 7A | 140 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6405336856842041
End: 0.6456265449523926