"On the Underground Set No. 2 "The Strange and the Exotic": III. The Subway Piranhas" by Thea Musgrave, Christopher Bell, National Youth Choir of Scotland, Royal Scottish National Orchestra was released on May 8, 2020. With On the Underground Set No. 2 "The Strange and the Exotic": III. The Subway Piranhas being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 16 in Cantos Sagrados by National Youth Choir of Scotland, Christopher Bell, Royal Scottish National Orchestra. Based on our statistics, On the Underground Set No. 2 "The Strange and the Exotic": III. The Subway Piranhas's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of On the Underground Set No. 2 "The Strange and the Exotic": III. The Subway Piranhas by Thea Musgrave, Christopher Bell, National Youth Choir of Scotland, Royal Scottish National Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 153 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ring Out Wild Bells: II. Sombre | Thea Musgrave, Victoria Soames-Samek, David le Page, Matthew Sharp, Mark Troop | E Major | 1 | 12B | 133 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: II. Andante marcia funebre I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | C Minor | 0 | 5A | 85 BPM | ||
4 Lieder, Op. 2: No. 1, Erwartung | Arnold Schoenberg, Claire Booth, Christopher Glynn | D Major | 0 | 10B | 66 BPM | ||
And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | A Major | 2 | 11B | 105 BPM | ||
Made Of Dreams | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM | ||
Chants de Terre et de Ciel: No. 1, Bail avec Mi (pour ma femme) | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | D Major | 0 | 10B | 66 BPM | ||
Piano Quartet | Huw Watkins, Leonore Piano Trio, Rachel Roberts | D♭ Major | 1 | 3B | 102 BPM | ||
Petrushka, K12 (1947 Version): IIIa. The Moor's Room – IIIb. Dance of the Ballerina | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Black Sorrow | Christian Lindberg, Símon Bolívar Symphony Orchestra | F♯ Minor | 1 | 11A | 65 BPM | ||
String Quartet No. 1 "Métamorphoses nocturnes": Presto | György Ligeti, The Verona Quartet | G Major | 0 | 9B | 86 BPM |
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