- BPM
- 80
- Key
- D♭ Major
- Camelot
- 3B
Puccini: Madama Butterfly, Act 2 Scene 1: "Un bel di vedremo" (Butterfly) - Giacomo Puccini, Orchestra della Radiotelevisione Italiana, Milano/Leone Magiera, Leone Magiera, Orchestra della Radiotelevisione Italiana Milano Information
- Acousticness
- 98%
- Danceability
- 17%
- Energy
- 6%
- Instrumentalness
- 0%
- Liveness
- 8%
- Loudness
- 66%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 3%
- Loudness
- -20.586 dB
Summary
"Puccini: Madama Butterfly, Act 2 Scene 1: "Un bel di vedremo" (Butterfly)" by Giacomo Puccini, Orchestra della Radiotelevisione Italiana, Milano/Leone Magiera, Leone Magiera, Orchestra della Radiotelevisione Italiana Milano was released on 1989. With this song being about 5 minutes long, at 4:30, "Puccini: Madama Butterfly, Act 2 Scene 1: "Un bel di vedremo" (Butterfly)" by Giacomo Puccini, Orchestra della Radiotelevisione Italiana, Milano/Leone Magiera, Leone Magiera, Orchestra della Radiotelevisione Italiana Milano is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mirella Freni's "Mirella Freni - Opera Arias" album is number 13 out of 17. Puccini: Madama Butterfly, Act 2 Scene 1: "Un bel di vedremo" (Butterfly) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Puccini: Madama Butterfly, Act 2 Scene 1: "Un bel di vedremo" (Butterfly) BPM
We consider the tempo marking of Puccini: Madama Butterfly, Act 2 Scene 1: "Un bel di vedremo" (Butterfly) by Giacomo Puccini, Orchestra della Radiotelevisione Italiana, Milano/Leone Magiera, Leone Magiera, Orchestra della Radiotelevisione Italiana Milano to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Puccini: Madama Butterfly, Act 2 Scene 1: "Un bel di vedremo" (Butterfly) Key
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Die Zauberflöte, K.620 / Act 2: "Der Hölle Rache kocht in meinem Herzen" | Wolfgang Amadeus Mozart, Erika Miklósa, Mahler Chamber Orchestra, Claudio Abbado | F Major | 1 | 7B | 71 BPM | |
 | A. Vucchella | Katia Ricciarelli | F Major | 2 | 7B | 96 BPM | |
 | Fauré: Requiem, Op. 48 : IV. Pie Jesu (Soprano) | Gabriel Fauré, Dietrich Fischer-Dieskau, Victoria de los Ángeles, Choeurs Elisabeth Brasseurs, Henriette Puig-Roget, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 0 | 12B | 87 BPM | |
 | Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | |
 | Vier letzte Lieder: 4. Im Abendrot | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D Major | 1 | 10B | 117 BPM | |
 | Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | |
 | Madama Butterfly: Tu, tu, piccolo iddio | Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma, Wiener Philharmoniker | B Minor | 3 | 10A | 97 BPM | |
 | Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | |
 | Die tote Stadt: "Glück, das mir verblieb" | Erich Wolfgang Korngold, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | B♭ Major | 1 | 6B | 171 BPM | |
 | La Bohème / Act 1: "Che gelida manina" | Jonas Kaufmann, Giacomo Puccini, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 3 | 4B | 68 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6289503574371338
End: 0.6448929309844971