Eugene Onegin, Op. 24: Act II: Where, o where have you gone? "Lensky's Aria"
Pyotr Ilyich Tchaikovsky, Vladimir Grishko, Ukraine State Radio Symphony Orchestra, Vladimir Sirenko
Russian Opera Arias, Vol. 1
4:42 January 25, 2002
BPM
85
Key
C Minor
Camelot
5A

Embed

Share Link

Eugene Onegin, Op. 24: Act II: Where, o where have you gone? "Lensky's Aria" - Pyotr Ilyich Tchaikovsky, Vladimir Grishko, Ukraine State Radio Symphony Orchestra, Vladimir Sirenko Information

Acousticness
96%
Danceability
36%
Energy
21%
Instrumentalness
0%
Liveness
14%
Loudness
76%
Speechiness
5%
Valence
35%
Popularity
Loudness
-14.512 dB

Summary

Pyotr Ilyich Tchaikovsky, Vladimir Grishko, Ukraine State Radio Symphony Orchestra, Vladimir Sirenko's 'Eugene Onegin, Op. 24: Act II: Where, o where have you gone? "Lensky's Aria"' had a release date set for January 25, 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Russian Opera Arias, Vol. 1". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hong Kong. Eugene Onegin, Op. 24: Act II: Where, o where have you gone? "Lensky's Aria" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Eugene Onegin, Op. 24: Act II: Where, o where have you gone? "Lensky's Aria" BPM

With Eugene Onegin, Op. 24: Act II: Where, o where have you gone? "Lensky's Aria" by Pyotr Ilyich Tchaikovsky, Vladimir Grishko, Ukraine State Radio Symphony Orchestra, Vladimir Sirenko having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.

Eugene Onegin, Op. 24: Act II: Where, o where have you gone? "Lensky's Aria" Key

This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance by Dmitri Shostakovich, Tasmin Little, Piers LaneShostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. RomanceDmitri Shostakovich, Tasmin Little, Piers LaneC Major18B175 BPM
Romeo and Juliet, Op. 64 (Excerpts): Dance of the Knights by Sergei Prokofiev, Esa-Pekka SalonenRomeo and Juliet, Op. 64 (Excerpts): Dance of the KnightsSergei Prokofiev, Esa-Pekka SalonenC Major18B97 BPM
Waltz, D. 1/14, Waltz, D. 1/14, "Kupelwieser-Walzer"Franz Schubert, Michael EndresF♯ Major02B113 BPM
Sonatina No. 1, Op. 67: III. Allegro moderato by Jean Sibelius, Leif Ove AndsnesSonatina No. 1, Op. 67: III. Allegro moderatoJean Sibelius, Leif Ove AndsnesF♯ Major12B94 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato by Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigBruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderatoMax Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigE♭ Major15B113 BPM
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 by Janos Sebestyen, Johann Sebastian BachPrelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926Janos Sebestyen, Johann Sebastian BachG Minor26A126 BPM
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingSymphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingB♭ Major26B147 BPM
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles by Pyotr Ilyich Tchaikovsky, Valentina LisitsaSouvenir de Hapsal, Op. 2, TH 125: 3. Chant sans parolesPyotr Ilyich Tchaikovsky, Valentina LisitsaF Major07B100 BPM
Symphony No. 9 in E Minor, Op. 95 Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivaceAntonín Dvořák, New York Philharmonic, Alan GilbertC Major18B121 BPM
Swan Lake Suite, Op. 20: Scène by London Philharmonic OrchestraSwan Lake Suite, Op. 20: ScèneLondon Philharmonic OrchestraE Minor39A77 BPM
ISRC
HKI190154611
Label
L-M Records/RCA Records