Modest Mussorgsky, Ad Hoc Wind Orchestra, Jean-Pierre Haeck made "The great gate of Kiev" available on December 11, 2017. With this song being about 5 minutes long, at 5:11, "The great gate of Kiev" by Modest Mussorgsky, Ad Hoc Wind Orchestra, Jean-Pierre Haeck is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ad Hoc Wind Orchestra, Alessandro Cabras, Yves Segers, Hardy Mertens, Jean-Pierre Haeck's "La Memoria Delle Pietre" album is number 1 out of 13. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, The great gate of Kiev is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The great gate of Kiev by Modest Mussorgsky, Ad Hoc Wind Orchestra, Jean-Pierre Haeck to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Crown Imperial | William Walton, The Coldstream Guards Band | C Major | 5 | 8B | 116 BPM | ||
Fatinitza: March | Franz von Suppé, Slovak Philharmonic, Richard Hayman | A♭ Minor | 6 | 1A | 170 BPM | ||
Khachaturian: Gayaneh, Suite No. 3: V. Sabre Dance | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | F Minor | 8 | 4A | 94 BPM | ||
Das Rheingold, WWV 86A: Entry of the Gods into Valhalla | Richard Wagner, Cleveland Orchestra, George Szell | D♭ Major | 2 | 3B | 87 BPM | ||
Lexicon of the Gods: I. Perseus slayer of Medusa | Rossano Galante, Ad Hoc Wind Orchestra, Jean-Pierre Haeck | C Minor | 4 | 5A | 76 BPM | ||
King's Row (Suite) | Charles Gerhardt, RCA Symphony Orchestra | G Major | 3 | 9B | 97 BPM | ||
The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Major | 3 | 6B | 115 BPM | ||
Fucik : Entry of the Gladiators Op.68 | Julius Fučík, Václav Neumann, Czech Philharmonic Orchestra | C Major | 6 | 8B | 121 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
Radetzky-Bankett-Marsch (fragment) | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | C Major | 1 | 8B | 101 BPM |
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