Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer made "Il barbiere di Siviglia (The Barber of Seville): Act II: Aria: Veramente ho torto (Bartolo)" available on July 15, 2014. The duration of Il barbiere di Siviglia (The Barber of Seville): Act II: Aria: Veramente ho torto (Bartolo) is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Il barbiere di Siviglia (The Barber of Seville): Act II: Aria: Veramente ho torto (Bartolo)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Paisiello: Barbiere Di Siviglia (Il)". In this album, this song's track order is #17. Il barbiere di Siviglia (The Barber of Seville): Act II: Aria: Veramente ho torto (Bartolo) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Il barbiere di Siviglia (The Barber of Seville): Act II: Aria: Veramente ho torto (Bartolo) by Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture in D Major, Op. 8, No. 2: III. Rondo: Vivace | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 2 | 10B | 137 BPM | ||
Vivaldi: Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": I. Allegro | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | D Major | 1 | 10B | 118 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
Flute Quintet No. 1 in D Major, Op. 17, G. 419: II. Minuetto: Amoroso | Luigi Boccherini, Alexandre Magnin, Janáček Quartet | D Major | 0 | 10B | 87 BPM | ||
Le Roi s'amuse, Scène du bal: II. Pavane, "Belle qui tiens ma vie" | Léo Delibes, Neeme Järvi, Estonian National Symphony Orchestra | B♭ Minor | 0 | 3A | 60 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | ||
Concerto for Oboe and Strings in C Minor: III. Siciliana | Domenico Cimarosa, François Leleux | A Minor | 0 | 8A | 87 BPM | ||
Symphony in D Major | Vincenzo Bellini, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 0 | 10B | 98 BPM | ||
Serenade for Strings in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Orpheus Chamber Orchestra | F Minor | 0 | 4A | 124 BPM | ||
Notturno For Piano, Violin And Violoncello In E Flat Major, Op. 148, D 897 | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov, Maximilian Hornung | B♭ Major | 0 | 6B | 129 BPM |
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