- BPM
- 132
- Key
- G Minor
- Camelot
- 6A
Videte Miraculum (Vespers respond): Videte miraculum - Thomas Tallis, Choir of King's College, Cambridge, Stephen Cleobury Information
- Acousticness
- 99%
- Danceability
- 19%
- Energy
- 8%
- Instrumentalness
- 56%
- Liveness
- 8%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 2%
- Loudness
- -28.795 dB
Summary
"Videte Miraculum (Vespers respond): Videte miraculum" by Thomas Tallis, Choir of King's College, Cambridge, Stephen Cleobury had its release date on June 1, 2015. This song appears to be safe for all ages as it is not explicit. The song is number 2 out of 13 in Evensong Live 2015 by Stephen Cleobury, Choir of King's College, Cambridge. Based on our statistics, Videte Miraculum (Vespers respond): Videte miraculum's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Videte Miraculum (Vespers respond): Videte miraculum BPM
The tempo marking of Videte Miraculum (Vespers respond): Videte miraculum by Thomas Tallis, Choir of King's College, Cambridge, Stephen Cleobury is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
Videte Miraculum (Vespers respond): Videte miraculum Key
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Three Elizabethan Partsongs: I. Sweet Day | Ralph Vaughan Williams, Quink Vocal Ensemble | E Minor | 0 | 9A | 91 BPM | |
 | Upon Your Heart | Eleanor Daley, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E Major | 1 | 12B | 71 BPM | |
 | Tallis: Lamentations of Jeremiah 1 - 1. Incipit lamentatio Jeremiae | Thomas Tallis, The Tallis Scholars, Peter Phillips | G Major | 0 | 9B | 137 BPM | |
 | In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | |
 | Quis numerare queat: I. Quis numerare queat | Loyset Compère, Owain Park, The Gesualdo Six | F Major | 2 | 7B | 128 BPM | |
 | Sing We and Chant It | Thomas Morley, Trinity Baroque, Julian Podger | G Major | 3 | 9B | 95 BPM | |
 | The Call (From 'Five Mystical Songs') (Arr. Harry D Bennett) | Ralph Vaughan Williams, Apollo5 | F Minor | 0 | 4A | 73 BPM | |
 | God is Gone Up | Gerald Finzi, Choir of St. John's College, Cambridge, Andrew Nethsingha | E Major | 2 | 12B | 82 BPM | |
 | Stetit Angelus | Millikin University Choir | A Minor | 1 | 8A | 86 BPM | |
 | Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records