The Sixteen made "Messiah: Part 2, Thou shalt break them with a rod of iron (Air, Tenor)" available on September 1, 2008. The duration of Messiah: Part 2, Thou shalt break them with a rod of iron (Air, Tenor) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Messiah: Part 2, Thou shalt break them with a rod of iron (Air, Tenor)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Sixteen's "Handel: Messiah" album is number 20 out of 56. In terms of popularity, Messiah: Part 2, Thou shalt break them with a rod of iron (Air, Tenor) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Messiah: Part 2, Thou shalt break them with a rod of iron (Air, Tenor) by The Sixteen to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Lauda Jerusalem (Salmo 147), RV 609 | Antonio Vivaldi, Concerto Italiano, Roberta Invernizzi, Gemma Bertagnolli, Rinaldo Alessandrini | E Minor | 2 | 9A | 138 BPM | ||
Laetatus sum | Tomás Luis de Victoria, The Sixteen, Harry Christophers | G Major | 4 | 9B | 105 BPM | ||
Poulenc: Salve Regina, FP 110 | Francis Poulenc, The Sixteen, Harry Christophers | B♭ Major | 1 | 6B | 131 BPM | ||
Mother of God | John Tavener, Mikhail Lermontov, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | F Major | 1 | 7B | 86 BPM | ||
Vesperae Solennes de Confessore: Magnificat - Live | Wolfgang Amadeus Mozart, The Sixteen, Academy of St. Martin in the Fields | D Minor | 1 | 7A | 112 BPM | ||
Os justi, WAB 30 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 82 BPM | ||
Laudate Jehovam omnes gentes (Psalm 117), TWV 7:25 | Georg Philipp Telemann, Allabastrina Choir, Allabastrina, Elena Sartori | A Major | 1 | 11B | 137 BPM | ||
God Is Our Refuge | Wolfgang Amadeus Mozart | G Minor | 0 | 6A | 76 BPM |
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