Henry Purcell, Dawn Upshaw's 'Purcell : "Ah! How Sweet It Is to Love"' came out on 2008. The duration of Purcell : "Ah! How Sweet It Is to Love" is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Purcell : "Ah! How Sweet It Is to Love"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 49 in the song's album "The Classical Guide to Purcell". In this album, this song's track order is #36. Purcell : "Ah! How Sweet It Is to Love" is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Purcell : "Ah! How Sweet It Is to Love" by Henry Purcell, Dawn Upshaw having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Nuit Ballet: Ouverture | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 61 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act 2 Scene 2: "Thanks to these lonesome vales" (Belinda, Chorus) - Dance | Henry Purcell, Emmanuelle Haïm | A♭ Minor | 1 | 1A | 89 BPM | ||
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
Dido and Aeneas / Act 2: Prelude for the Witches - "Wayward Sisters" | Henry Purcell, David Thomas, Elisabeth Priday, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 122 BPM | ||
Purcell: Abdelazer, Z. 570: II. Rondeau | Henry Purcell, Yehudi Menuhin, Bath Festival Orchestra | D Minor | 2 | 7A | 104 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
Rinaldo, HWV 7b: Act I: Overture | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Major | 7 | 10B | 126 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 114 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | A♭ Minor | 3 | 1A | 73 BPM | ||
Il prigioniero fortunato: Sinfonia: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 4 | 3B | 77 BPM |
Section: 0.8821969032287598
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