Gabriele Sibella, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna's ' "Girometta" was released on its scheduled release date, January 1, 1995. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Girometta's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vincerò! by Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna. The song's track number on the album is #11 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Girometta is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Girometta by Gabriele Sibella, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna has a tempo of 108 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Girometta being at 108 BPM, the half-time would be 54 BPM with a double-time of 216 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Live Like Horses - Studio Version | Elton John, Luciano Pavarotti | G Major | 2 | 9B | 134 BPM | ||
Reginella Campagnola | Carlo Buti | A Major | 4 | 11B | 124 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM | ||
Andrea Chénier / Act 1: Il giorno intorno già s'insera lentamente! ... Via, | Umberto Giordano, Montserrat Caballé, Leo Nucci, Astrid Varnay, Kathleen Kuhlmann, National Philharmonic Orchestra, Riccardo Chailly | D Major | 1 | 10B | 79 BPM | ||
Aprile | Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Antonio Tonini | D♭ Major | 2 | 3B | 71 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Ehi, Fiorelli?...Mio signore (Conte/Fiorello/Coro) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva, Mario Carlin | D Major | 0 | 10B | 115 BPM | ||
Mascagni: L'amico Fritz, Act 3 Scene 3: "O amore, o bella luce del core" (Fritz) | Pietro Mascagni, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | F♯ Major | 2 | 2B | 93 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Sediziose voci, voci di guerra" | Vincenzo Bellini, Cecilia Bartoli, Michele Pertusi, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | B♭ Minor | 3 | 3A | 98 BPM | ||
Violino tzigano | Leo Nucci, Salotto Ottocento Ensemble | C Major | 2 | 8B | 47 BPM | ||
Gioia | Yusif Eyvazov | G Major | 4 | 9B | 82 BPM |