"El que gustare de falsas (arr. S. Pauley)" by Gaspar Sanz, Scott Pauley, Becky Baxter, Danny Mallon, Chatham Baroque was released on January 1, 2000. With El que gustare de falsas (arr. S. Pauley) being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 24 in Chamber Music (Baroque) - Sanz, G. / Castro, F.J. De / Huete, D.F. De / Ortiz, D. / Falconieri, A. (Espanoleta) by Chatham Baroque. In terms of popularity, El que gustare de falsas (arr. S. Pauley) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El que gustare de falsas (arr. S. Pauley) by Gaspar Sanz, Scott Pauley, Becky Baxter, Danny Mallon, Chatham Baroque is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Danzas Españolas, Op. 37: 5. Andaluza | Enrique Granados, Xavier De Maistre | E Minor | 1 | 9A | 151 BPM | ||
Canario | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 1 | 2B | 96 BPM | ||
The Yellow Cake Review, Farewell to Stromness (Excerpt) | Peter Maxwell Davies, Los Angeles Guitar Quartet | D Major | 0 | 10B | 127 BPM | ||
Suite Espanola (arr. for guitar) | Pepe Romero, Gaspar Sanz, Celedonio Romero | G Major | 1 | 9B | 103 BPM | ||
Jacaras de lo humano y lo divino | Sebastián Durón, Gaspar Sanz, Concerto 1700, Daniel Pinteño | D♭ Minor | 2 | 12A | 128 BPM | ||
Sor : Study No.6 | Fernando Sor, John Fulford Music | E♭ Minor | 2 | 2A | 70 BPM | ||
Paysanos | Rolf Lislevand, Santiago De Murcia | F♯ Minor | 0 | 11A | 93 BPM | ||
Libro I d'intavolatura di lauto: Toccata No. 7 | Giovanni Girolamo Kapsberger, Konrad Junghanel | E Major | 1 | 12B | 107 BPM | ||
Recercada No. 1: Recercada primera | Diego Ortiz, Rolf LaFleur, Bengt Ericson | D Minor | 2 | 7A | 104 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM |
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