"A Midsummer Night's Dream, Incidental Music, Op. 61: No. 7, Nocturne. Con moto tranquillo" by Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra was released on February 3, 2017. A Midsummer Night's Dream, Incidental Music, Op. 61: No. 7, Nocturne. Con moto tranquillo is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. The track order of this song in Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, The Monteverdi Choir's "Mendelssohn: A Midsummer Night's Dream" album is number 10 out of 13. A Midsummer Night's Dream, Incidental Music, Op. 61: No. 7, Nocturne. Con moto tranquillo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Midsummer Night's Dream, Incidental Music, Op. 61: No. 7, Nocturne. Con moto tranquillo by Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Kinderszenen, Op. 15: No. 1, Von fremden Ländern und Menschen | Robert Schumann, Vladimir Horowitz | G Major | 0 | 9B | 70 BPM | ||
Violin Concerto In D Major, Op. 35: III. Finale: Allegro assai vivace | Erich Wolfgang Korngold, Anne-Sophie Mutter, London Symphony Orchestra, André Previn | A Major | 3 | 11B | 152 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 4: No. 26, Scene. Allegro ma non troppo | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | B Major | 0 | 1B | 111 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: II. Scherzo: Allegro | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | G Major | 2 | 9B | 115 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Mendelssohn: Symphony No. 4 in A Major, Op. 90, "Italian": IV. Saltarello (Presto) | Felix Mendelssohn, Christian Thielemann, Munich Philharmonic Orchestra | G Major | 2 | 9B | 74 BPM | ||
Piano Concerto in A minor, Op. 54: Allegro Vivace | Robert Schumann, Evgeny Kissin, Sir Colin Davis, London Symphony Orchestra | A Major | 1 | 11B | 89 BPM |
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