"Piano Concerto in A minor, Op. 54: Allegro Vivace" by Robert Schumann, Evgeny Kissin, Sir Colin Davis, London Symphony Orchestra was released on August 24, 2007. Piano Concerto in A minor, Op. 54: Allegro Vivace appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Schumann Concerto, Mozart Concerto No 24". In this album, this song's track order is #6. Piano Concerto in A minor, Op. 54: Allegro Vivace is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto in A minor, Op. 54: Allegro Vivace by Robert Schumann, Evgeny Kissin, Sir Colin Davis, London Symphony Orchestra having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Piano Concerto No.1 in F sharp minor, Op.1: 2. Andante | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | D Major | 1 | 10B | 69 BPM | ||
Requiem: XIII. Sanctus | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra | F Major | 1 | 7B | 117 BPM | ||
Piano Concerto in A Minor, Op. 7: III. Finale: Allegro non troppo - Allegro molto | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A Minor | 2 | 8A | 106 BPM | ||
Études d'exécution transcendante: Wilde Jagd (No. 8) | Franz Liszt, Evgeny Kissin | C Minor | 2 | 5A | 108 BPM | ||
Vocalise, No. 14 | Sergei Rachmaninoff, Evgeny Kissin, Seiji Ozawa | E Major | 0 | 12B | 102 BPM | ||
String Sextet, Op. 48: II. Dumka (Elegie). Poco allegretto | Antonín Dvořák, Jerusalem Quartet, Veronika Hagen, Gary Hoffman | D♭ Major | 5 | 3B | 106 BPM | ||
Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | ||
Symphony No. 5, "The Reformation", Op. 107: IV. Choral "Ein' feste Burg ist unser Gott" (Andante con moto - Allegro vivace - Allegro maestoso) | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | D Major | 1 | 10B | 78 BPM | ||
Piano Concerto No. 3 in C Minor, Op. 37: II. Largo | Ludwig van Beethoven, Krystian Zimerman, London Symphony Orchestra, Sir Simon Rattle | E Major | 0 | 12B | 72 BPM |
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