"Suite No 4 in G Minor: VI. Le Carillon de Passy" by Jean-Baptiste Forqueray, Vittorio Ghielmi, Rodney Prada, Luca Pianca, Lorenzo Ghielmi was released on September 3, 2014. The duration of Suite No 4 in G Minor: VI. Le Carillon de Passy is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Suite No 4 in G Minor: VI. Le Carillon de Passy's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 18 in Forqueray le Diable by Jean-Baptiste Forqueray, Vittorio Ghielmi. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Suite No 4 in G Minor: VI. Le Carillon de Passy is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite No 4 in G Minor: VI. Le Carillon de Passy by Jean-Baptiste Forqueray, Vittorio Ghielmi, Rodney Prada, Luca Pianca, Lorenzo Ghielmi is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in D Minor: I. Adagio | Johann Christoph Pepusch, La Camerata de Paris | E Major | 1 | 12B | 69 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Harpsichord Suite No. 3 in A Minor: I. Prelude | Élisabeth Jacquet de La Guerre, Daniela Dolci | A♭ Major | 2 | 4B | 76 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: I. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Pieces de viole: Suite No. 3 in D Major: IV. La Angrave: Tres vivement | Jean-Baptiste Forqueray, Antoine Forqueray, Wieland Kuijken, Sigiswald Kuijken, Robert Kohnen | D♭ Major | 0 | 3B | 82 BPM | ||
Stabat Mater, P. 77: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM | ||
Baryton Trio in A Major, Hob. XI:71: II. Minuet - Trio | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
Assaggio per violino solo in G Minor, BeRI 320: III. | Johan Helmich Roman, Fabio Biondi | D♭ Major | 1 | 3B | 95 BPM | ||
Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo | Joseph Bodin de Boismortier, Peter Whelan, Ensemble Marsyas | A♭ Minor | 0 | 1A | 74 BPM |
Section: 0.57647705078125
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