Johann Georg Pisendel, Dmitry Sinkovsky, Il Pomo D'oro made "Violin Concerto in G Minor, JunP I. 1: III. Largo" available on October 25, 2019. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Virtuosissimo by Dmitry Sinkovsky, Il Pomo D'oro. The song's track number on the album is #6 out of 18 tracks. Based on our data, France was the country where this track was produced or recorded. Based on our statistics, Violin Concerto in G Minor, JunP I. 1: III. Largo's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Violin Concerto in G Minor, JunP I. 1: III. Largo by Johann Georg Pisendel, Dmitry Sinkovsky, Il Pomo D'oro has a tempo of 128 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Violin Concerto in G Minor, JunP I. 1: III. Largo being at 128 BPM, the half-time would be 64 BPM with a double-time of 256 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hamburg Symphony No. 4 in A Major, Wq. 182: II. Largo ed innocentemente | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Rameau: Les Boréades, Act 4: Entrée | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 1 | 3B | 84 BPM | ||
Concerto In A Major ("Die Relinge") TWV 51:A4, For Violino Principale, 3 Violins, Viola And Basso Continuo: 1. Allegro | Georg Philipp Telemann, Stephan Schardt, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 105 BPM | ||
Concerto 1 in D Minor, Op. 7: III. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 142 BPM | ||
Sonate en Sol Mineur, Op. 1 No. 3: I. Adagio | Jean-François Dandrieu, Le Consort, Justin Taylor | D♭ Minor | 5 | 12A | 95 BPM | ||
Concerto in G Major, JunP II.2 | Johann Georg Pisendel, Freiburger Barockorchester, Gottfried Von Der Goltz | D♭ Major | 1 | 3B | 127 BPM | ||
Overture No. 2 in F Major: III. Sarabande | Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini | F Major | 1 | 7B | 108 BPM | ||
Sonata In D For Violin And Continuo: Allegro | Johann Georg Pisendel, La Serenissima, Adrian Chandler, violin | D Major | 4 | 10B | 131 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 7 in G Major: V. Allegro assai | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Alain Gervreau | F♯ Major | 3 | 2B | 124 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM |
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