"Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito" by Pyotr Ilyich Tchaikovsky, George Li, Vasily Petrenko, London Philharmonic Orchestra was released on October 18, 2019. Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Tchaikovsky: Piano Concerto No. 1 - Liszt: Solo Piano Works". In this album, this song's track order is #1. Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito by Pyotr Ilyich Tchaikovsky, George Li, Vasily Petrenko, London Philharmonic Orchestra having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giselle: Act I: Entree de Giselle | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 136 BPM | ||
Symphony No. 2 in G Minor, "Song of a New Race": II. Slowly and deeply expressive | William Grant Still, Fort Smith Symphony, John Jeter | G Major | 0 | 9B | 69 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Symphony No.1 in A flat, Op.55: 3. Adagio | Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti | F Minor | 0 | 4A | 84 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Soirees musicales, Op. 9: V. Tarantella | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 2 | 6B | 80 BPM | ||
Perpetuum mobile, Op. 257 | Johann Strauss II, Wiener Philharmoniker, Lorin Maazel | E♭ Major | 2 | 5B | 81 BPM | ||
Rachmaninov: Symphony No.2 in E minor, Op.27: 3. Adagio | Sergei Rachmaninoff, Valery Gergiev, Mariinsky Orchestra | A Major | 0 | 11B | 132 BPM | ||
The Firebird Suite (1919 Version): VII. Finale | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | D♭ Minor | 2 | 12A | 73 BPM |
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