"Hermit Songs, Op. 29: No. 10. The Desire for Hermitage" by Samuel Barber, Emalie Savoy, Jonathan Ware was released on September 2, 2016. The duration of Hermit Songs, Op. 29: No. 10. The Desire for Hermitage is about 3 minutes long, at 3:27. Based on our data, "Hermit Songs, Op. 29: No. 10. The Desire for Hermitage" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 16 in A Portrait: Works by Ravel, Tchaikovsky, Dvořák, Weber & Barber by Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias Foremny, Jonathan Ware. Hermit Songs, Op. 29: No. 10. The Desire for Hermitage is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hermit Songs, Op. 29: No. 10. The Desire for Hermitage by Samuel Barber, Emalie Savoy, Jonathan Ware is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on an Original Theme, Op. 36, "Enigma": Enigma | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Major | 5 | 8B | 132 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Alice Sara Ott | D♭ Minor | 0 | 12A | 168 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 89 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Erlkönig, D. 328 (Adapt. for Cello and Orchestra) | Franz Schubert, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | A Minor | 1 | 8A | 124 BPM | ||
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
Klarinettenkonzert A-Dur, K. 622: 2. Adagio (Jenseits von Afrika): II. Adagio | Wolfgang Amadeus Mozart, David Shifrin, Mostly Mozart Orchestra, Gerard Schwarz | D Major | 0 | 10B | 78 BPM | ||
Adagio for Strings, Op. 11 | Samuel Barber, Janos Balint, Lajos Lencsés, Reinhold Friedrich, Budapest Strings, Bela Banfalvi | B♭ Minor | 0 | 3A | 69 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Capricorn Concerto, Op. 21: II. Allegretto | Samuel Barber, Stephane Rancourt, John Gracie, Karen Jones, Royal Scottish National Orchestra, Marin Alsop | G Major | 0 | 9B | 62 BPM |
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