Jascha Heifetz, George Gershwin, Lucio Degani, Andrea Rucli's 'Porgy and Bess (arr. J. Heifetz): Act II: It Ain't Necessarily So' came out on October 7, 2014. The duration of Porgy and Bess (arr. J. Heifetz): Act II: It Ain't Necessarily So is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Porgy and Bess (arr. J. Heifetz): Act II: It Ain't Necessarily So's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 18 in A War Concert: Transcriptions by Jascha Heifetz by Jascha Heifetz, Lucio Degani. Porgy and Bess (arr. J. Heifetz): Act II: It Ain't Necessarily So is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Porgy and Bess (arr. J. Heifetz): Act II: It Ain't Necessarily So by Jascha Heifetz, George Gershwin, Lucio Degani, Andrea Rucli is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Widmung, No. 1 - 1990 Remastered | Robert Schumann, Jascha Heifetz | E♭ Major | 1 | 5B | 63 BPM | ||
Violin Concerto in D, Op. 77: III. Vivace non troppo | Johannes Brahms, Jascha Heifetz, Serge Koussevitzky | E♭ Major | 2 | 5B | 112 BPM | ||
3 Preludes (arr. J. Heifetz): No. 2. Andante con moto e poco rubato | Jascha Heifetz, George Gershwin, Matthew Trusler, Wayne Marshall | D♭ Major | 1 | 3B | 97 BPM | ||
Hebrew Melody, Op. 33 | Joseph Achron, Jascha Heifetz | A Minor | 2 | 8A | 139 BPM | ||
Carmen Fantasy, Op. 25: III. Allegro moderato | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | D Major | 2 | 10B | 95 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: I. Andante - Moderato | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Minor | 1 | 7A | 75 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Passacaglia, No. 6 | George Frideric Handel, Jascha Heifetz | E Minor | 2 | 9A | 110 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Jascha Heifetz, Walter Hendl | D Major | 3 | 10B | 118 BPM | ||
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 1 | 8A | 102 BPM |
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