"Missa Latina, "Pro Pace": Angus Dei" by Roberto Sierra, Heidi Grant Murphy, Nathaniel Webster, Milwaukee Symphony Chorus, Milwaukee Symphony Orchestra, Andreas Delfs had its release date on May 26, 2009. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Sierra, R.: Missa Latina, "Pro Pace"". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. Missa Latina, "Pro Pace": Angus Dei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa Latina, "Pro Pace": Angus Dei by Roberto Sierra, Heidi Grant Murphy, Nathaniel Webster, Milwaukee Symphony Chorus, Milwaukee Symphony Orchestra, Andreas Delfs having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIV. Tarantella (Allegro moderato) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Revelry: II. War | Valerie Coleman, Decoda | F Major | 3 | 7B | 115 BPM | ||
Sinfonietta for String Orchestra: IV. Rápido | Roberto Sierra, Domingo Hindoyan, Royal Liverpool Philharmonic Orchestra | B♭ Major | 1 | 6B | 91 BPM | ||
Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: III. Friar Laurence | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | B♭ Major | 5 | 6B | 92 BPM | ||
A. Scotto: Orchestral Sketch n.°2 | Aurelio Scotto, Symphony Chamber Orchestra 2001 | A Minor | 2 | 8A | 132 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM | ||
A Foggy Day | Carrie Baynes | D♭ Major | 1 | 3B | 81 BPM | ||
Strings of Heaven | Johannes Brahms, Borika Van Den Booren, Berliner Symphoniker, Eduardo Marturet | F Major | 0 | 7B | 72 BPM | ||
Suite in G Major, P. 58 (Original Version): III. Pastorale: Andante molto sostenuto | Ottorino Respighi, Kyler Brown, Chamber Orchestra of New York, Salvatore Di Vittorio | D Minor | 1 | 7A | 104 BPM | ||
Schön Rosmarin | Fritz Kreisler, Michael Collins, Michael McHale | G Major | 1 | 9B | 104 BPM |