"The Crucifixion: Duet. So Thou liftest Thy divine petition (Tenor, Bass)" by John Stainer, Brian Kay, Martyn Hill, Michael George, Margaret Philips was released on March 1, 1997. With this song being about 5 minutes long, at 5:04, "The Crucifixion: Duet. So Thou liftest Thy divine petition (Tenor, Bass)" by John Stainer, Brian Kay, Martyn Hill, Michael George, Margaret Philips is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Stainer: The Crucifixion". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. The Crucifixion: Duet. So Thou liftest Thy divine petition (Tenor, Bass) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Crucifixion: Duet. So Thou liftest Thy divine petition (Tenor, Bass) by John Stainer, Brian Kay, Martyn Hill, Michael George, Margaret Philips having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Golden Day | Patrick Vu | B♭ Major | 1 | 6B | 90 BPM | ||
Mass for unaccompanied double choir: V. Agnus Dei | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 84 BPM | ||
Schaffe in mir, Gott, ein rein Herz, Op. 29, No. 2 | Johannes Brahms, Windsbacher Knabenchor, Martin Lehmann | G Major | 1 | 9B | 83 BPM | ||
Der er etyndigt land (There is a Lovely Country) | Carl Nielsen, Danish National Vocal Ensemble, Michael Schønwandt | F Major | 1 | 7B | 98 BPM | ||
Annelies (chamber version): VI. Courage | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | B Minor | 0 | 10A | 137 BPM | ||
Ave Maria, Gratia Plena | Josu Elberdin, Reading Phoenix Choir, Christopher Hann | D Major | 0 | 10B | 78 BPM | ||
I was glad when they said unto me | Hubert Parry, Christopher Dearnley, Barry Rose | B♭ Major | 3 | 6B | 84 BPM | ||
Considering Matthew Shepard: Passion, 29. Pilgrimage | Craig Hella Johnson, Conspirare | A Major | 0 | 11B | 96 BPM | ||
Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 81 BPM | ||
Ave Verum, Op. 65, No. 1 | San Francisco Girls Chorus | B♭ Minor | 0 | 3A | 78 BPM |
Section: 0.5401902198791504
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