Carl Maria von Weber, Michael Endres's '7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 6' came out on March 1, 2011. With 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 6 being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weber: Piano Works by Carl Maria von Weber, Michael Endres. The song's track number on the album is #19 out of 40 tracks. 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 6 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 6 by Carl Maria von Weber, Michael Endres has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 6 being at 68 BPM, the half-time would be 34 BPM with a double-time of 136 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations sérieuses, Op. 54, MWV U156: Variation 14: Adagio | Felix Mendelssohn, Jan Lisiecki | D Major | 0 | 10B | 75 BPM | ||
Petite Suite, CD 71: III. Menuet | Claude Debussy, Lang Lang, Gina Alice | D Major | 2 | 10B | 107 BPM | ||
Klavierstück in A-Flat Major | Anton Webern, Jean-Jacques Dünki | A♭ Major | 0 | 4B | 75 BPM | ||
6 Pieces, Op. 94: No. 2 Nouvellette | Jean Sibelius, Håvard Gimse | F Major | 1 | 7B | 69 BPM | ||
Avant-dernieres pensées, IES 4: I. Idylle | Erik Satie, Denis Pascal | G Major | 0 | 9B | 109 BPM | ||
Etude en Forme De Valse, Op. 52, No. 6 - Welte-Mignon 2990 | Camille Saint-Saëns, Eugen d'Albert, Peter Phillips | G Major | 1 | 9B | 140 BPM | ||
24 Preludes & Fugues, Op. 87: Prelude no.5 in D major. Allegretto | Dmitri Shostakovich, Alexander Melnikov | D Major | 0 | 10B | 161 BPM | ||
18 Études, Op. 109: No. 1, Confidence | Franz Burgmüller, Carl Petersson | C Major | 0 | 8B | 65 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Chopin: 12 Études, Op. 25: No. 2 in F Minor | Frédéric Chopin, Beatrice Rana | F Minor | 0 | 4A | 67 BPM |
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