"Manon Lescaut / Act 4: Manon, senti, amor mio" by Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine was released on January 1, 1993. With Manon Lescaut / Act 4: Manon, senti, amor mio being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Puccini: Manon Lescaut". In this album, this song's track order is #8. Manon Lescaut / Act 4: Manon, senti, amor mio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon Lescaut / Act 4: Manon, senti, amor mio by Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vesperae solennes de confessore in C, K.339: 5. Laudate Dominum omnes gentes | Wolfgang Amadeus Mozart, Kiri Te Kanawa, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | F Major | 1 | 7B | 82 BPM | ||
Tosca / Act 2: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Leontyne Price, Giuseppe Taddei, Wiener Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 76 BPM | ||
Sadko: Song Of India | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | A Major | 2 | 11B | 75 BPM | ||
Puccini: Tosca, Act 1: "Recondita harmonia" (Cavaradossi, Sagrestano) | Giacomo Puccini, Antonio Pappano, Enrico Fissore, Roberto Alagna, Orchestra of the Royal Opera House & Covent Garden | D Major | 0 | 10B | 84 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Adagetto in F Major | Giacomo Puccini, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | F Major | 0 | 7B | 81 BPM | ||
Puccini: Turandot, Act 1: "Signore ascolta!" (Liù) | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | D♭ Major | 0 | 3B | 92 BPM | ||
Les Pêcheurs de perles, WD 13, Act I: Au fond du temple saint | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Major | 1 | 6B | 101 BPM | ||
Don Giovanni, K.527 / Act 1: "Madamina, il catalogo è questo" | Wolfgang Amadeus Mozart, Bryn Terfel, Chamber Orchestra of Europe, Claudio Abbado | D Major | 2 | 10B | 90 BPM |
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