Johann Andreas Herbst, Ludwig Güttler, Blechbläserensemble Ludwig Güttler made "Singt und klinget allzumal - Arr. by L. Güttler" available on January 1, 1984. With Singt und klinget allzumal - Arr. by L. Güttler being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 25 in Bläsermusik zur Weihnacht by Ludwig Güttler, Blechbläserensemble Ludwig Güttler. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Singt und klinget allzumal - Arr. by L. Güttler is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Singt und klinget allzumal - Arr. by L. Güttler by Johann Andreas Herbst, Ludwig Güttler, Blechbläserensemble Ludwig Güttler is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Shakespeare Choruses, Op. 39: No. 2. Come unto these yellow sands | Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble | B♭ Major | 1 | 6B | 82 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Laudate Jehovam omnes gentes (Psalm 117), TWV 7:25 | Georg Philipp Telemann, Allabastrina Choir, Allabastrina, Elena Sartori | A Major | 1 | 11B | 137 BPM | ||
Den haghel ende | Jacob Obrecht, Concerto Palatino | B♭ Major | 0 | 6B | 151 BPM | ||
Vespro della Beata Vergine, SV 206: Quia respexit | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Minor | 1 | 6A | 88 BPM | ||
Musice De L'Enfance Du Dauphin: Gaillarde, En Suitte (Philidor) | Le Concert Des Nations, Jordi Savall | G Major | 2 | 9B | 203 BPM | ||
Tallis: Remember Not, O Lord God | The Tallis Scholars, Peter Phillips | A♭ Major | 1 | 4B | 75 BPM | ||
Tribus miraculis, LV 219 | Orlande de Lassus, Owain Park, The Gesualdo Six | F♯ Major | 1 | 2B | 80 BPM | ||
Svjatki: I. Glory! | Galina Grigorjeva, Estonian Philharmonic Chamber Choir, Paul Hillier | B♭ Major | 3 | 6B | 83 BPM | ||
Josquin: Praeter Rerum Seriem - 2. Virtus Sancti Spiritus Opus | The Tallis Scholars, Peter Phillips | D Minor | 1 | 7A | 108 BPM |
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