"Christian Wolff in Cambridge" by Morton Feldman, Brandeis University Chamber Chorus, Alvin Lucier was released on 1967. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 7 in Extended Voices by Brandeis University Chamber Chorus, Alvin Lucier. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Christian Wolff in Cambridge is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Christian Wolff in Cambridge by Morton Feldman, Brandeis University Chamber Chorus, Alvin Lucier is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Piece 1952 - Version 2 | Morton Feldman, Murcof, Vanessa Wagner | A♭ Major | 3 | 4B | 137 BPM | ||
Sonatas and Interludes for Prepared Piano: Sonata No. 2 | John Cage, Boris Berman | D♭ Major | 2 | 3B | 123 BPM | ||
In Nomine-Instrumentation colorée I (2001) for flute, oboe, bass clarinet, percussion, piano, violin, viola and Violoncello | John Taverner, Gérard Pesson, Ensemble Recherche | D Major | 3 | 10B | 120 BPM | ||
Eleven Instrusions II: Study on Archytas' Enharmonic | Harry Partch, Ben Johnston, Bill Snead, Donald Pippin, Betty Johnston | C Minor | 0 | 5A | 184 BPM | ||
Love In The Afternoon | Balanescu Quartet | F Major | 2 | 7B | 173 BPM | ||
コラール「主イエス・キリストよ、われ汝に呼ばわる」 BWV639 | Johann Sebastian Bach, Ryuichi Sakamoto | F Minor | 0 | 4A | 101 BPM | ||
Three Compositions | Milton Babbitt, Robert Taub | D♭ Major | 1 | 3B | 60 BPM | ||
Piano & Violoncello 6 | Irena And Vojtech Havlovi | G Minor | 1 | 6A | 65 BPM | ||
Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: II | Morton Feldman, Ensemble Recherche | D Minor | 0 | 7A | 140 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM |
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