"Piano Concerto No. 4 in G Minor, Op. 40: 1. Allegro vivace (Alla breve)" by Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis was released on January 1, 2013. Since Piano Concerto No. 4 in G Minor, Op. 40: 1. Allegro vivace (Alla breve) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 3 in the song's album "Rachmaninov: Piano Concerto No.4". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Piano Concerto No. 4 in G Minor, Op. 40: 1. Allegro vivace (Alla breve)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 4 in G Minor, Op. 40: 1. Allegro vivace (Alla breve) by Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Variations on a Theme of Chopin, Op. 22: Var. 18 in B-Flat Minor. Più mosso | Sergei Rachmaninoff, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
Lascia Ch' io Pianga | George Frideric Handel, HAUSER, Robert Ziegler, London Symphony Orchestra | D Major | 3 | 10B | 173 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: Allegro deciso - | Franz Liszt, Alexandre Kantorow, Tapiola Sinfonietta, Jean-Jacques Kantorow | B♭ Major | 3 | 6B | 131 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Itzhak Perlman, André Previn, London Symphony Orchestra | D♭ Major | 1 | 3B | 92 BPM | ||
II. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Sarah Chang, London Symphony Orchestra, Sir Colin Davis | E♭ Major | 0 | 5B | 65 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 2: Scene (Allegro) | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D Major | 1 | 10B | 124 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Carmen Fantasy, Op. 25 (after G. Bizet) | Pablo de Sarasate, Ruggiero Ricci, London Symphony Orchestra, Pierino Gamba | E Minor | 2 | 9A | 108 BPM |
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