William Croft, La Rêveuse, Florence Bolton, Benjamin Perrot made "Sonata in F for two Recorders and two Violins: III. Allegro" available on January 11, 2019. With Sonata in F for two Recorders and two Violins: III. Allegro being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 27 out of 28 in Circa 1700: Purcell & his Generation by La Rêveuse, Benjamin Perrot, Florence Bolton. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Sonata in F for two Recorders and two Violins: III. Allegro is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonata in F for two Recorders and two Violins: III. Allegro by William Croft, La Rêveuse, Florence Bolton, Benjamin Perrot is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Courtship-a-la-mode: VIII. Round O Scotch Tune | William Croft, The London Oboe Band, Paul Goodwin | F♯ Major | 2 | 2B | 95 BPM | ||
Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
Southwell "Lord Jesus, Think on Me" | William Daman, Collegiate Church of St Mary Warwick Choir, Christopher Monks, Christopher Betts | E Minor | 1 | 9A | 101 BPM | ||
Magnificat in D Major | Herbert Brewer, Gloucester Cathedral Choir, Mark Lee, John Sanders | F Major | 0 | 7B | 140 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantus Juvenum Karlsruhe, Carsten Wiebusch, Peter Gortner | B Minor | 2 | 10A | 115 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): The Nativity of Christ: It is meet | Georgy Sviridov, Ivanna Bondaruk, Credo Chamber Choir, Bogdan Plish | F Major | 1 | 7B | 78 BPM | ||
Mass No. 2 in E Minor, WAB 27: Kyrie | Anton Bruckner, SWR Vokalensemble Stuttgart, WDR Sinfonieorchester Köln, Marcus Creed | F♯ Major | 1 | 2B | 133 BPM | ||
Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
Saffron Walden "Just As I Am, Without One Plea" | Arthur Henry Brown, Ely Cathedral Choir, Scott Farrell, Paul Trepte | D♭ Major | 1 | 3B | 83 BPM | ||
Magnificat in C Minor | George Dyson, The Choir of St. George's Church, Christopher Gray, Nigel McClintock | A Major | 0 | 11B | 77 BPM |
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