Claudio Monteverdi, Emmanuelle Haïm's 'Monteverdi: L'Orfeo, favola in musica, SV 318, Act 1: "Rosa del ciel, gemme del giorno" (Orfeo)' came out on 2004. The duration of Monteverdi: L'Orfeo, favola in musica, SV 318, Act 1: "Rosa del ciel, gemme del giorno" (Orfeo) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Monteverdi: L'Orfeo, favola in musica, SV 318, Act 1: "Rosa del ciel, gemme del giorno" (Orfeo)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claudio Monteverdi, Emmanuelle Haïm's "Monteverdi: L'Orfeo" album is number 17 out of 80. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Monteverdi: L'Orfeo, favola in musica, SV 318, Act 1: "Rosa del ciel, gemme del giorno" (Orfeo) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Monteverdi: L'Orfeo, favola in musica, SV 318, Act 1: "Rosa del ciel, gemme del giorno" (Orfeo) by Claudio Monteverdi, Emmanuelle Haïm to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | ||
Pass'emezzo antico: Recercada primera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | A♭ Minor | 2 | 1A | 76 BPM | ||
La Calisto, Act I Scene 2: Piante ombrose (Calisto) | Francesco Cavalli, René Jacobs, Maria Bayo, Concerto Vocale | D♭ Major | 2 | 3B | 120 BPM | ||
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Præludium - Est secretum, valeriane (Cæcilia) | Marc-Antoine Charpentier, Judith Fa, Sébastien Daucé, Ensemble Correspondances | F♯ Minor | 1 | 11A | 176 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
Mass for Four Voices: V. Agnus Dei | William Byrd, Stile Antico | F Minor | 1 | 4A | 123 BPM | ||
Strozzi: Cantate, ariette e duetti, Op. 2: L'amante consolato | Barbara Strozzi, Jakub Józef Orliński, Il Pomo D'oro | F Major | 2 | 7B | 103 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM |
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