"Roméo et Juliette (1994 - Remaster), Act V: Console toi, pauvre âme" by Charles Gounod, Franco Corelli, Alain Lombard, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra was released on 1969. With this song being about 5 minutes long, at 5:16, "Roméo et Juliette (1994 - Remaster), Act V: Console toi, pauvre âme" by Charles Gounod, Franco Corelli, Alain Lombard, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 41 in the song's album "Roméo et Juliette - Gounod". In this album, this song's track order is #18. Roméo et Juliette (1994 - Remaster), Act V: Console toi, pauvre âme is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Roméo et Juliette (1994 - Remaster), Act V: Console toi, pauvre âme by Charles Gounod, Franco Corelli, Alain Lombard, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Salut d' Amour, Op. 12 | Edward Elgar, Min Kym | E Major | 1 | 12B | 86 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Méditation | Jules Massenet, James Galway, David Measham, National Philharmonic Orchestra | D Major | 2 | 10B | 167 BPM | ||
Gianni Schicchi, SC 88: "O mio babbino caro" (Arr. Yvar Mikhashoff) | Giacomo Puccini, James Rhodes | A♭ Major | 1 | 4B | 124 BPM | ||
Gianni Schicchi: O mio babbino caro (Arr. Yvar Mikhashoff) | Giacomo Puccini, James Rhodes | A♭ Major | 0 | 4B | 65 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 1, Introduction | Charles Gounod, Michel Plasson, Orchestre Du Capitole De Toulouse, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Méditation de Thaïs | Jules Massenet, Peter Mirring, Dresden State Opera Chorus, Members, Staatskapelle Dresden, Silvio Varviso | E Minor | 0 | 9A | 96 BPM | ||
Sonata for Solo Harp: I. Allegretto | Germaine Tailleferre, Valérie Milot | D♭ Major | 1 | 3B | 84 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Version for String Orchestra) | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Major | 1 | 6B | 93 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Fabrizio von Arx, Christian Benda | E♭ Major | 1 | 5B | 133 BPM |
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