"Vaughan Williams: Symphony No. 5 in D Major: I. Preludio. Moderato" by Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra was released on January 10, 1995. Vaughan Williams: Symphony No. 5 in D Major: I. Preludio. Moderato appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Symphony No. 5, Norfolk Rhapsody No. 1 & The Lark Ascending by Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra. The song's track number on the album is #1 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Vaughan Williams: Symphony No. 5 in D Major: I. Preludio. Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vaughan Williams: Symphony No. 5 in D Major: I. Preludio. Moderato by Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Vaughan Williams: Symphony No. 5 in D Major: I. Preludio. Moderato being at 64 BPM, the half-time would be 32 BPM with a double-time of 128 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Taras Bulba: 2. The Death Of Ostap | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D♭ Minor | 1 | 12A | 118 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo - | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | G Major | 1 | 9B | 122 BPM | ||
Masques et Bergamasques Suite, Op. 112: I. Ouverture | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F Major | 1 | 7B | 135 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VII. Mélisande At The Spinning Wheel | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 140 BPM | ||
Double Concerto for 2 Violins, Op. 49: I. Scherzo: Allegro | Gustav Holst, Janice Graham, Sarah Ewins, English Sinfonia, Howard Griffiths | F Major | 1 | 7B | 88 BPM | ||
Symphony No.7 in E Major, WAB 107: 4. Finale (Bewegt, doch nicht schnell) | Anton Bruckner, Concertgebouworkest, Bernard Haitink | B Major | 1 | 1B | 119 BPM | ||
Concerto for Oboe and Strings: 1. Rondo Pastorale | Ralph Vaughan Williams, Celia Nicklin, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Vaughan Williams: Symphony No. 4 in F Minor: II. Andante moderato | Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra | F Minor | 0 | 4A | 139 BPM | ||
Fantastic Dance | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | G Major | 1 | 9B | 72 BPM |
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