"Venezia e Napoli, S. 162: Supplément aux Années de pèlerinage II: III. Tarantella" by Franz Liszt, Lazar Berman was released on January 1, 1977. Since Venezia e Napoli, S. 162: Supplément aux Années de pèlerinage II: III. Tarantella is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Liszt, Lazar Berman's "Liszt: Années de Pèlerinage" album is number 10 out of 26. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Venezia e Napoli, S. 162: Supplément aux Années de pèlerinage II: III. Tarantella's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Venezia e Napoli, S. 162: Supplément aux Années de pèlerinage II: III. Tarantella by Franz Liszt, Lazar Berman to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Années de pèlerinage III, S. 163: V. Sunt lacrimae rerum (En mode hongrois) | Franz Liszt, Lazar Berman | D♭ Major | 0 | 3B | 69 BPM | ||
Partita II in do menore : Andante elegiaco | Lazar Berman | C Minor | 1 | 5A | 97 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: IV. Allegro con brio | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
Mazurka No.17 In B Flat Minor Op.24 No.4 | Frédéric Chopin, Vladimir Ashkenazy | B♭ Minor | 1 | 3A | 86 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 1, An Robert Schumann | Bedřich Smetana, Jitka Čechová | E Major | 1 | 12B | 136 BPM | ||
Piano Concerto No. 10 in E-Flat Major, K. 365 / 316a: III. Rondo. Allegro | Wolfgang Amadeus Mozart, Murray Perahia, Radu Lupu, English Chamber Orchestra | E♭ Major | 2 | 5B | 91 BPM | ||
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
Concerto for Violin and Orchestra no.2 in D minor op.22: 3. Allegro con fuoco-Allegro moderato (à la Zingara) | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | D Major | 2 | 10B | 96 BPM | ||
6 Favoritwalzer: No. 1, J. 143 | Carl Maria von Weber, Michael Endres | D Major | 1 | 10B | 126 BPM |
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