- BPM
- 133
- Key
- A♭ Minor
- Camelot
- 1A
Missa pro defunctis: Sequence - Antoine Brumel, New York Polyphony Information
- Acousticness
- 95%
- Danceability
- 20%
- Energy
- 10%
- Instrumentalness
- 4%
- Liveness
- 8%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 2%
- Loudness
- -22.249 dB
Summary
"Missa pro defunctis: Sequence" by Antoine Brumel, New York Polyphony was released on March 6, 2012. Missa pro defunctis: Sequence appears to be safe for all ages as it is not explicit. The song is number 3 out of 15 in endBeginning by New York Polyphony. Based on our statistics, Missa pro defunctis: Sequence's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Missa pro defunctis: Sequence BPM
The tempo marking of Missa pro defunctis: Sequence by Antoine Brumel, New York Polyphony is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Missa pro defunctis: Sequence Key
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rimanti in pace, SV 74 | Claudio Monteverdi, I Fagiolini, Robert Hollingworth | G Major | 0 | 9B | 137 BPM | |
 | Lachrimae Antiquae from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | G Minor | 0 | 6A | 97 BPM | |
 | Psalmus quarti toni Beatus vir | Thomas Stoltzer, Amarcord | F♯ Minor | 0 | 11A | 74 BPM | |
 | Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | |
 | Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | |
 | All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | |
 | Maudit soyt | Heinrich Isaac, Capilla Flamenca, Patrick Denecker | E♭ Major | 1 | 5B | 50 BPM | |
 | Vexilla regis, WAB 51 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 130 BPM | |
 | Mass for Double Choir: Kyrie | Frank Martin, Mikaeli Chamber Choir, Anders Eby | A Minor | 0 | 8A | 81 BPM | |
 | Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 133 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9866611957550049
End: 0.990415096282959