"La Neige: Overture" by Daniel Auber, London Symphony Orchestra, Richard Bonynge was released on January 1, 1973. With this song being about 5 minutes long, at 5:12, "La Neige: Overture" by Daniel Auber, London Symphony Orchestra, Richard Bonynge is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 15 in Ballet Music And Entr'actes From French Opera by Richard Bonynge, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. La Neige: Overture is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Neige: Overture by Daniel Auber, London Symphony Orchestra, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in A Major, Hob.I:5: IV. Finale: Presto | Joseph Haydn, Heidelberg Symphony Orchestra, Thomas Fey | A Major | 3 | 11B | 87 BPM | ||
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | B♭ Major | 1 | 6B | 127 BPM | ||
Der Fischer und das Milchmädchen: XV. Allegro furioso | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Symphony No. 4 in D Minor, Op. 120: III. Scherzo - Trio. Lebhaft (Vivace) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | F Major | 1 | 7B | 75 BPM | ||
Le cheval de bronze, Act III (Sung in German): Worüber magst du dich beklagen? | Daniel Auber, Herta Schmidt, Tino di Costa, Grosses Wiener Rundfunkorchester, Kurt Richter | B♭ Major | 2 | 6B | 136 BPM | ||
Raymonda, Act III: Grand Pas de Deux, Entree | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 3 | 10B | 84 BPM | ||
First Year Pieces: No. 3, The Old Windmill | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM | ||
Auber: Fra Diavolo, Act II: Dialogue. "Quand Milord et Milady voudront" - Trio. "Allons, ma femme, allons dormir" (Zerline, Milord, Pamela, Fra Diavolo) | Daniel Auber, Marc Soustrot, Jane Berbié, Mady Mesple, Nicolai Gedda, Remy Corazza, Monte-Carlo Philharmonic Orchestra | C Major | 1 | 8B | 107 BPM | ||
Le cheval de bronze, Act II (Sung in German): Halt! Was gibt's? | Daniel Auber, Leo Heppe, Kurt Equiluz, Niederösterreichischer Tonkünstlerchor, Grosses Wiener Rundfunkorchester, Kurt Richter | C Major | 3 | 8B | 131 BPM | ||
La muette de Portici, S. 16: Act II: Barcarolle: Amis, la matinee est belle (Masaniello, Borella, Chorus) | Daniel Auber, Diego Torre, Oscar de la Torre, Angelina Ruzzafante, Wiard Witholt, Dessau Anhalt Theater Chorus, Dessau Anhalt Philharmonic Orchestra, Antony Hermus | G Major | 1 | 9B | 70 BPM |
Section: 0.640538215637207
End: 0.6447391510009766