"3 Latin American Sketches: No. 2, Paisaje Mexicano" by Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin was released on June 9, 2017. The duration of 3 Latin American Sketches: No. 2, Paisaje Mexicano is about 3 minutes long, at 3:23. Based on our data, "3 Latin American Sketches: No. 2, Paisaje Mexicano" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 7 in Copland: Symphony No. 3 & 3 Latin American Sketches by Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin. 3 Latin American Sketches: No. 2, Paisaje Mexicano is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Latin American Sketches: No. 2, Paisaje Mexicano by Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse melancolique | Emīls Dārziņš, Neeme Järvi, Detroit Symphony Orchestra | B Major | 2 | 1B | 109 BPM | ||
Act I: "Dove eravamo?" | Giacomo Puccini, Leonard Slatkin, Eva Marton, Munich Radio Orchestra | A Minor | 1 | 8A | 136 BPM | ||
Act I: "Quello che tacete" | Giacomo Puccini, Leonard Slatkin, Dennis O'Neill, Munich Radio Orchestra | A Minor | 1 | 8A | 136 BPM | ||
Raymond: Overture | Ambroise Thomas, Detroit Symphony Orchestra, Paul Paray | D Minor | 3 | 7A | 153 BPM | ||
La Mer, L.109: 2. Play Of The Waves | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 114 BPM | ||
Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Julian Lloyd Webber | F Major | 1 | 7B | 108 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
On hearing the first Cuckoo in Spring | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 80 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VII. Mélisande At The Spinning Wheel | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 140 BPM |
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