"Peer Gynt Suite No. 1, Op. 46: I. Morning Mood" by Edvard Grieg, Wiener Philharmoniker, Zubin Mehta was released on May 29, 2015. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Sommernachtskonzert 2015 / Summer Night Concert 2015". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Peer Gynt Suite No. 1, Op. 46: I. Morning Mood is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Peer Gynt Suite No. 1, Op. 46: I. Morning Mood by Edvard Grieg, Wiener Philharmoniker, Zubin Mehta having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Mer, L. 109, CD 111: II. Jeux de vagues | Claude Debussy, Stéphane Denève, Royal Scottish National Orchestra | A Major | 0 | 11B | 67 BPM | ||
Trumpet Tune in C Major, Z. 697 | Henry Purcell, The Prague Brass Soloists | F Major | 1 | 7B | 112 BPM | ||
Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets (Excerpt) | Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti | A Minor | 3 | 8A | 108 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) | Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott | G Major | 0 | 9B | 66 BPM | ||
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter | D Major | 2 | 10B | 66 BPM | ||
Fantasie Impromtu, Op. 66 (Chopin) | Anna Malikova | D♭ Major | 1 | 3B | 78 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
The Moldau (Vlatava), No. 2 | Bedřich Smetana, Leopold Stokowski | E Major | 2 | 12B | 99 BPM | ||
Suite bergamasque: Suite bergamasque: III. Clair de lune. Andante très expressif | Claude Debussy, Alain Planès | D♭ Major | 0 | 3B | 67 BPM |
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