William Brade, The Prague Brass Soloists made "Suite: XI. Der Herren Tanz No. 32" available on January 1, 1990. With Suite: XI. Der Herren Tanz No. 32 being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 43 in the song's album "Purcell, Simpson, Adson, Holborne, Brade, Clarke: Old English Brass Music". In this album, this song's track order is #35. Suite: XI. Der Herren Tanz No. 32 is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Suite: XI. Der Herren Tanz No. 32 by William Brade, The Prague Brass Soloists having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite: II. Mascharad der Edelfrauen No. 7 | William Brade, The Prague Brass Soloists | C Major | 1 | 8B | 105 BPM | ||
Ballo 'La Giloxia' | Domenico da Piacenza, Unicorn Ensemble | G Major | 1 | 9B | 122 BPM | ||
Adue Sweet Love | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 110 BPM | ||
In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Adson's Masque | John Adson, Dorothee Oberlinger | G Minor | 2 | 6A | 130 BPM | ||
Recercare 6 - Intabolatura de lauto, Libro primo, Libro secondo | Francesco Spinacino, Hopkinson Smith | B♭ Minor | 1 | 3A | 99 BPM | ||
A Song of Mr Robert Parsons | Robert Parsons, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 92 BPM | ||
Saltarello | Joan Ambrosio Dalza, Ronn McFarlane, Mark Cudek | D♭ Major | 1 | 3B | 128 BPM |
Section: 0.6388909816741943
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