William Brade, The Prague Brass Soloists made "Suite: II. Mascharad der Edelfrauen No. 7" available on January 1, 1990. With Suite: II. Mascharad der Edelfrauen No. 7 being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 43 in the song's album "Purcell, Simpson, Adson, Holborne, Brade, Clarke: Old English Brass Music". In this album, this song's track order is #26. In terms of popularity, Suite: II. Mascharad der Edelfrauen No. 7 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Suite: II. Mascharad der Edelfrauen No. 7 by William Brade, The Prague Brass Soloists having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Biaute Paree De Valour | Ensemble Project Ars Nova | C Major | 0 | 8B | 128 BPM | ||
Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement) | Marin Marais, Philippe Pierlot | D♭ Major | 0 | 3B | 77 BPM | ||
Chansons: Je me recommande humblement | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | D♭ Major | 2 | 3B | 107 BPM | ||
No.32 Paduana | William Brade, Leo Maiwald | G Major | 4 | 9B | 135 BPM | ||
Lute Sonata in F Minor [Augsburg manuscript]: I. Affettuoso | Bernhard Joachim Hagen, Robert Barto | E Minor | 1 | 9A | 80 BPM | ||
La traditora: Saltarello, "La traditora" | Marco Dall'Aquila, Shirley Rumsey | B♭ Major | 0 | 6B | 138 BPM | ||
Tarantella | David Douglass, The King's Noyse | E Major | 2 | 12B | 139 BPM | ||
Ach Elslein, Liebes Elselein Mein | Piffaro | E Minor | 1 | 9A | 110 BPM | ||
Baude Cordier: Tout par compas: Tout par compas - Instrumental | Trefoil, Drew Minter, Mark Rimple, Marcia Young | C Major | 0 | 8B | 113 BPM | ||
Pièces de violes, Livre V: Petit caprice | Marin Marais, Gerald Stempfel, Thorsten Bleich | B Major | 2 | 1B | 124 BPM |
Section: 0.6604998111724854
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