"Valses nobles et sentimentales, M.61: 2. Assez lent - avec une expression intense" by Maurice Ravel, Cleveland Orchestra, Pierre Boulez was released on January 1, 1998. The duration of Valses nobles et sentimentales, M.61: 2. Assez lent - avec une expression intense is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Valses nobles et sentimentales, M.61: 2. Assez lent - avec une expression intense's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Ravel: Piano Concertos; Valses nobles et sentimentales". In this album, this song's track order is #5. Valses nobles et sentimentales, M.61: 2. Assez lent - avec une expression intense is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Valses nobles et sentimentales, M.61: 2. Assez lent - avec une expression intense by Maurice Ravel, Cleveland Orchestra, Pierre Boulez having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Oiseau de feu, K010: XII. - XIV. Carillon féérique, apparition des monstres - Arrivée de Kastchei l’immortel - Dialogue de Kastchei avec Ivan Tsarevitch - Intercession des princesses - Apparition de l'oiseau de feu | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | B♭ Major | 1 | 6B | 108 BPM | ||
The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | A Minor | 1 | 8A | 109 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
Abendlied, Op. 85, No. 12 (Arr. for String Orchestra by Johan Svendsen) | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | B Major | 1 | 1B | 113 BPM | ||
24 Preludes, Op. 37, BV 181: No. 15 in D-Flat Major | Ferruccio Busoni, Holger Groschopp | D♭ Major | 0 | 3B | 133 BPM | ||
Symphonies For Wind Instruments | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez | B Minor | 0 | 10A | 131 BPM | ||
Piano Concerto in E-Flat Major: II. Lento espressivo | John Ireland, Bryden Thomson, London Philharmonic Orchestra, Eric Parkin | B Major | 0 | 1B | 71 BPM | ||
La boîte à joujoux, L. 128: Épilogue | Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas | F Minor | 0 | 4A | 91 BPM |
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