"Leopardi Fragments – Cantata for soprano, contralto and instrumental ensemble (1961-2) - (Lentiss.)" by Melos Ensemble was released on June 19, 2012. The duration of Leopardi Fragments – Cantata for soprano, contralto and instrumental ensemble (1961-2) - (Lentiss.) is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Leopardi Fragments – Cantata for soprano, contralto and instrumental ensemble (1961-2) - (Lentiss.)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 150 out of 151 in Classical Essentials by Melos Ensemble. Leopardi Fragments – Cantata for soprano, contralto and instrumental ensemble (1961-2) - (Lentiss.) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Leopardi Fragments – Cantata for soprano, contralto and instrumental ensemble (1961-2) - (Lentiss.) by Melos Ensemble is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Theme by Tchaikovsky, Op. 35a: IV. Var. III. Andantino Tranquillo | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | E Major | 1 | 12B | 86 BPM | ||
Haydn: Symphony No. 88 in G Major, Hob. I:88: II. Largo | Joseph Haydn, Berliner Philharmoniker, Sir Simon Rattle | D♭ Major | 1 | 3B | 125 BPM | ||
Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation V. Allegro moderato | Pyotr Ilyich Tchaikovsky, Jan Vogler, Andrés Orozco-Estrada | A Major | 0 | 11B | 107 BPM | ||
War Requiem, Op. 66 / Offertorium: 3b. So Abram Rose, and Clave the Wood | Benjamin Britten, Dietrich Fischer-Dieskau, Sir Peter Pears, Highgate School Choir, London Symphony Chorus, The Bach Choir, Simon Preston, Melos Ensemble, London Symphony Orchestra | C Major | 0 | 8B | 90 BPM | ||
Trio in G minor, O.63 for flute, cello and piano: 2. Scherzo | Carl Maria von Weber, Melos Ensemble | D Major | 1 | 10B | 93 BPM | ||
String Quartet No. 2 in A Minor, Op. 13, MWV R22: II. Adagio non lento | Felix Mendelssohn, Emerson String Quartet | F Major | 0 | 7B | 93 BPM | ||
La fiancée, S. 17: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Minor | 0 | 8A | 120 BPM | ||
Bartók / Compl. Serly: Viola Concerto, Sz. 120: II. Adagio religioso | Béla Bartók, Tabea Zimmermann, David Shallon, Bavarian Radio Symphony Orchestra | D Major | 1 | 10B | 83 BPM | ||
Nonet in E-Flat Major, Op. 38: II. Andante con moto | Louise Farrenc, Consortium Classicum | B♭ Major | 0 | 6B | 121 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 16. Allegretto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 105 BPM |
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