"The Barber Of Seville Goes To The Devil - Overture" by Gordon Jacob, Royal Ballet Sinfonia, Gavin Sutherland was released on January 1, 2007. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 46 in the song's album "The British Light Music Collection 1". In this album, this song's track order is #12. Based on our statistics, The Barber Of Seville Goes To The Devil - Overture's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Barber Of Seville Goes To The Devil - Overture by Gordon Jacob, Royal Ballet Sinfonia, Gavin Sutherland having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia in G Major | Timothy Mahr, College of New Jersey Wind Ensemble, William Silvester | G Major | 4 | 9B | 92 BPM | ||
Symfonietta, JW VI/18: I. Allegretto | Leoš Janáček, Prague Radio Symphony Orchestra, Tomáš Netopil | D♭ Major | 3 | 3B | 62 BPM | ||
Henry V - Suite (arr. Mathieson) (1994 Digital Remaster): 2. Passacaglia: The Death of Falstaff | William Walton, Philharmonia Orchestra | E Minor | 0 | 9A | 86 BPM | ||
A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 91 BPM | ||
Rodeo: No. 1, Buckaroo Holiday | Aaron Copland, Colorado Symphony, Andrew Litton | F Major | 2 | 7B | 131 BPM | ||
Montgomery Variations: V. One Sunday in the South | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Major | 0 | 10B | 86 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): They all march together, Peter, then the Hunters with the Wolf | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 108 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM | ||
Prelude | Gordon Jacob, Gabriel Beavers, Lori Wike, Jennifer Rhodes, Anthony Anurca | F Major | 0 | 7B | 91 BPM | ||
Soirees musicales, Op. 9: III. Tirolese | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | A Major | 0 | 11B | 71 BPM |
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