- BPM
- 85
- Key
- A Minor
- Camelot
- 8A
Symphony in B-Flat Major, Op. 20: II. Très lent - Ernest Chausson, Yan Pascal Tortelier, BBC Philharmonic Orchestra Information
- Acousticness
- 95%
- Danceability
- 8%
- Energy
- 5%
- Instrumentalness
- 93%
- Liveness
- 14%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 2%
- Loudness
- -20.509 dB
Summary
"Symphony in B-Flat Major, Op. 20: II. Très lent" by Ernest Chausson, Yan Pascal Tortelier, BBC Philharmonic Orchestra was released on January 1, 1999. Since Symphony in B-Flat Major, Op. 20: II. Très lent is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 7 in Chausson: Symphony in B-Flat, La Tempête, Viviane & Soir de Fête by Ernest Chausson, Yan Pascal Tortelier, BBC Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Symphony in B-Flat Major, Op. 20: II. Très lent is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Symphony in B-Flat Major, Op. 20: II. Très lent BPM
The tempo marking of Symphony in B-Flat Major, Op. 20: II. Très lent by Ernest Chausson, Yan Pascal Tortelier, BBC Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Symphony in B-Flat Major, Op. 20: II. Très lent Key
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Wandrers Nachtlied II, Op. 96 No. 3, D. 768: Über allen Gipfeln ist Ruh | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | F Major | 0 | 7B | 92 BPM | |
 | 3 Romances, Op. 22: 1. Andante molto | Clara Schumann, Elena Urioste, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 168 BPM | |
 | Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM | |
 | Nos souvenirs | Ernest Chausson, Christian-Pierre La Marca | D♭ Minor | 1 | 12A | 0 BPM | |
 | Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | |
 | Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Major | 1 | 8B | 190 BPM | |
 | Keyboard Sonata in E Major, Kk. 135 (L. 224): Allegro | Domenico Scarlatti, Ivo Pogorelich | E Major | 1 | 12B | 181 BPM | |
 | Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky": III. Andante | Antonín Dvořák, Smetana Trio | F Minor | 1 | 4A | 85 BPM | |
 | Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F♯ Major | 1 | 2B | 177 BPM | |
 | Myrthen, Op. 25: No. 7. Die Lotosblume | Robert Schumann, Margaret Price, James Lockhart | D Major | 1 | 10B | 93 BPM |
- ISRC
- GBLWD9900202
- Label
- L-M Records/RCA Records
Section: 0.6845216751098633
End: 0.6883089542388916