"Concerto for Violin and Orchestra in D Minor, Op. 47: III. Allegro ma non tanto" by Jean Sibelius, Lisa Batiashvili, Staatskapelle Berlin, Daniel Barenboim was released on May 8, 2020. Since Concerto for Violin and Orchestra in D Minor, Op. 47: III. Allegro ma non tanto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 25 in the song's album "Sibelius: Essentiel". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. Concerto for Violin and Orchestra in D Minor, Op. 47: III. Allegro ma non tanto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Violin and Orchestra in D Minor, Op. 47: III. Allegro ma non tanto by Jean Sibelius, Lisa Batiashvili, Staatskapelle Berlin, Daniel Barenboim having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quintet In A Major, Op. 114, D 667 - "The Trout": 5. Finale (Allegro giusto) | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee, Maximilian Hornung, Roman Patkoló | D Major | 1 | 10B | 81 BPM | ||
Rachmaninov: Morceaux de fantaisie, Op. 3: No. 1, Élégie | Sergei Rachmaninoff, Alexandre Tharaud | D♭ Minor | 1 | 12A | 84 BPM | ||
Images: No. 2. Iberia: Par les rues et par les chemins - | Claude Debussy, Orchestre National De Lyon, Jun Markl | F Minor | 1 | 4A | 176 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Lalo: Symphonie espagnole in D minor, Op. 21: II. Scherzando - Allegro molto | Édouard Lalo, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | G Major | 1 | 9B | 104 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
Schumann: Symphony No. 1 in B-Flat Major, Op. 38, Spring: III. Scherzo (Molto vivace) | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | D Minor | 1 | 7A | 150 BPM | ||
Mendelssohn: Piano Trio No. 1 in D Minor, Op. 49, MWV Q29: II. Andante con moto tranquillo | Felix Mendelssohn, Beaux Arts Trio | D Major | 0 | 10B | 69 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
Ravel: Piano Concerto in G Major, M. 83: III. Presto (Live) | Maurice Ravel, Martha Argerich, Jacek Kaspszyk, Orchestra della Svizzera Italiana | D♭ Major | 3 | 3B | 95 BPM |
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