Anton Rubinstein, Slovak State Philharmonic Orchestra, Robert Stankovsky's 'Symphony No. 1 in F Major, Op. 40: II. Allegro' came out on March 22, 2024. Since Symphony No. 1 in F Major, Op. 40: II. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 32 in the song's album "The Essential Slovak State Philharmonic Orchestra". In this album, this song's track order is #28. Furthermore, we believe that the track originated from Hong Kong. The popularity of Symphony No. 1 in F Major, Op. 40: II. Allegro is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Symphony No. 1 in F Major, Op. 40: II. Allegro by Anton Rubinstein, Slovak State Philharmonic Orchestra, Robert Stankovsky having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
Felix Mendelssohn: Songs Without Words, Book 2, Op. 30: No. 6 in F-Sharp Minor "Venetian Boat Song" | Vadim Chaimovich | F♯ Minor | 0 | 11A | 62 BPM | ||
Mazurka in C Major | Mikhail Glinka, Inga Fiolia | A Minor | 0 | 8A | 69 BPM | ||
The Demon, Act II: Na Vozdushnom akiane | Anton Rubinstein, Ildar Abdrazakov, Kaunas State Choir, Kaunas City Symphony Orchestra, Constantine Orbelian | C Major | 2 | 8B | 77 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat Major | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 74 BPM | ||
Melody in F, Op.3, No.1 - Arr. G. Saborow | Anton Rubinstein, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | F Major | 2 | 7B | 85 BPM | ||
Five Pieces In Folk-style, Op.102: I. Vanitas vanitatum mit Humor | Robert Schumann, Anne Gastinel | F Major | 1 | 7B | 104 BPM | ||
12 Morceaux, Op. 40: No. 2. Chanson triste in G Minor | Pyotr Ilyich Tchaikovsky, Ilona Prunyi | G Minor | 0 | 6A | 91 BPM |
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