"Concerto For Violin And Wind Orchestra Op.12 (1924): 2. (a) Notturno: Allegro con poco tenuto - (b) Cadenza: Moderato - Vivace - (c) Serenata: Allegretto" by Kurt Weill, Nona Liddell, London Sinfonietta, David Atherton was released on January 1, 1976. Concerto For Violin And Wind Orchestra Op.12 (1924): 2. (a) Notturno: Allegro con poco tenuto - (b) Cadenza: Moderato - Vivace - (c) Serenata: Allegretto appears to be safe for all ages as it is not explicit. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #19 out of 42 tracks. Concerto For Violin And Wind Orchestra Op.12 (1924): 2. (a) Notturno: Allegro con poco tenuto - (b) Cadenza: Moderato - Vivace - (c) Serenata: Allegretto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto For Violin And Wind Orchestra Op.12 (1924): 2. (a) Notturno: Allegro con poco tenuto - (b) Cadenza: Moderato - Vivace - (c) Serenata: Allegretto by Kurt Weill, Nona Liddell, London Sinfonietta, David Atherton has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto For Violin And Wind Orchestra Op.12 (1924): 2. (a) Notturno: Allegro con poco tenuto - (b) Cadenza: Moderato - Vivace - (c) Serenata: Allegretto being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vier letzte Lieder, TrV 296: 4. Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
Play Piano Play (10 Übungsstücke für Yuko): VI. Presto possibile | Glenn Gould, Friedrich Gulda, Sasha Grynyuk | B♭ Minor | 3 | 3A | 152 BPM | ||
Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale) | Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier Roth | C Minor | 1 | 5A | 98 BPM | ||
Il Bacio | Luigi Arditi, Olga Peretyatko, Enrique Mazzola | D Major | 1 | 10B | 96 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Fedora: Amor ti vieta | Umberto Giordano, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Major | 1 | 11B | 83 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D♭ Major | 1 | 3B | 82 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM | ||
Les Pecheurs de Perles, Act 1: Romance: Mi par d'udir ancora [Je crois entendre encore] | Georges Bizet, Orchestra, Eugene Goossens, Beniamino Gigli | C Major | 4 | 8B | 120 BPM | ||
Youkali: Tango Habanera | Kurt Weill, Teresa Stratas | D Minor | 0 | 7A | 99 BPM |
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