"The Horatians and the Curiatians: No. 9, The Battle of the Archers" by Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin was released on August 8, 2013. With The Horatians and the Curiatians: No. 9, The Battle of the Archers being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin's "Kurt Schwaen: The Horatians and the Curiatians" album is number 9 out of 31. The Horatians and the Curiatians: No. 9, The Battle of the Archers is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Horatians and the Curiatians: No. 9, The Battle of the Archers by Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | C Major | 3 | 8B | 112 BPM | ||
Missa solemnis in C Minor, K. 139, "Waisenhausmesse" (Orphanage): Benedictus | Wolfgang Amadeus Mozart, Celina Lindsley, Gabriele Schreckenbach, Werner Hollweg, Walton Grönroos, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Marcus Creed | D Major | 0 | 10B | 75 BPM | ||
Cello Concerto: I. Introduction | Witold Lutosławski, Johannes Moser, Berlin Radio Symphony Orchestra, Thomas Søndergård | C Minor | 0 | 5A | 179 BPM | ||
Prelude to the Afternoon of a Faun, L. 86 - Remastered | Claude Debussy, Daniel Barenboim | E Major | 1 | 12B | 72 BPM | ||
Gayane Suite No. 3: IV. Gayane's Adagio | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | F Minor | 1 | 4A | 74 BPM | ||
Kaisermarsch | Richard Wagner, Berlin Radio Symphony Orchestra, Caspar Richter | B♭ Major | 3 | 6B | 114 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): Promenade II | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 0 | 4B | 73 BPM | ||
Metropolis: II. Zwischenspiel: Der Tanz | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | F♯ Major | 4 | 2B | 114 BPM | ||
Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM |
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