"Requiem in F Minor: I. Introïtus - Kyrie" by Heinrich Ignaz Franz von Biber, Antonio Eros Negri, Gruppo Madrigalistico, Schola Cantorum e Coro Polifonico del Conservatorio di Como, Schola Cantorum, Coro Polifonico del Conservatorio di Como, Gruppo Madrigalistico, Schola Cantorum e Coro Polifonico del Conservatorio di Como had its release date on August 31, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 5 in Biber: Requiem in F minor by Heinrich Ignaz Franz von Biber, Antonio Eros Negri, Gruppo Madrigalistico, Schola Cantorum e Coro Polifonico del Conservatorio di Como, Gruppo Madrigalistico, Schola Cantorum e Coro Polifonico del Conservatorio di Como, Schola Cantorum, Coro Polifonico del Conservatorio di Como. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Requiem in F Minor: I. Introïtus - Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem in F Minor: I. Introïtus - Kyrie by Heinrich Ignaz Franz von Biber, Antonio Eros Negri, Gruppo Madrigalistico, Schola Cantorum e Coro Polifonico del Conservatorio di Como, Schola Cantorum, Coro Polifonico del Conservatorio di Como, Gruppo Madrigalistico, Schola Cantorum e Coro Polifonico del Conservatorio di Como is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Trio in E-Flat Major for Viola d’amore, Bass Chalumeau & Continuo: I. Largo | Christoph Graupner, Hélène Plouffe, Mark Simons, David Jacques, Erin Helyard, Jacques-Olivier Chartier, Chloe Meyers, Amanda Keesmaat, Sophie Larivière, Olivier Laquerre | E Major | 0 | 12B | 116 BPM | ||
Recorder Concerto No. 9 in A Minor: I. Allegro | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | D Minor | 2 | 7A | 108 BPM | ||
Sonata No. 5 in E Minor, RV 40, Op. 14: I. Largo | Antonio Vivaldi, Jaap Ter Linden, Lars Ulrik Mortensen, Judith-Maria Becker | E♭ Minor | 1 | 2A | 140 BPM | ||
Concerto grosso No. 2 in B-Flat Major, Op. 3, HWV 313: II. Largo | George Frideric Handel, Akademie für Alte Musik Berlin, Georg Kallweit | F♯ Minor | 1 | 11A | 130 BPM | ||
Suite in A Minor: VI. Menuet de Poitou et son Double | Louis Couperin, Laurence Cummings | A♭ Minor | 2 | 1A | 118 BPM | ||
Concerto 2 in D Major, Op. 7: I. Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 1 | 4B | 191 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 100. Gigue a l'angloise. Très vivement | Marin Marais, Mieneke van der Velden, Glen Wilson | F♯ Major | 2 | 2B | 117 BPM | ||
Suite No. 1 in G Minor: IV. Saraband | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | D♭ Major | 0 | 3B | 86 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 2 | 5A | 135 BPM |