"Peter Grimes, Op. 33 / Act 2: "Fool To Let It Come To This!"" by Benjamin Britten, Jean Watson, Geraint Evans, Raymond Nilsson, Lauris Elms, James Pease, Orchestra of the Royal Opera House, Covent Garden had its release date on January 1, 1959. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Peter Grimes, Op. 33 / Act 2: "Fool To Let It Come To This!"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 45 in Britten: Peter Grimes by Benjamin Britten, Sir Peter Pears, Claire Watson, Orchestra of the Royal Opera House, Covent Garden. Based on our statistics, Peter Grimes, Op. 33 / Act 2: "Fool To Let It Come To This!"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Peter Grimes, Op. 33 / Act 2: "Fool To Let It Come To This!" by Benjamin Britten, Jean Watson, Geraint Evans, Raymond Nilsson, Lauris Elms, James Pease, Orchestra of the Royal Opera House, Covent Garden is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Sacrificial Dance | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | G Minor | 5 | 6A | 132 BPM | ||
Sonata For Arpeggione And Piano In A Minor, D. 821: 1. Allegro moderato | Franz Schubert, Mstislav Rostropovich, Benjamin Britten | A Minor | 1 | 8A | 96 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Walt Whitman, Op. 7 | Gustav Holst, Ulster Orchestra, Joann Falletta | A Major | 1 | 11B | 126 BPM | ||
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Britten: War Requiem, Op. 66: IV. Dies irae - " Dies irae, dies illa" (Chorus) | Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra | G Major | 1 | 9B | 92 BPM | ||
Sonata in D Minor for Cello & Piano, L.135: 1. Prologue (lent) | Claude Debussy, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM |